A sold out Sounding Out 2024 showcases the growing potential of audio in today’s media landscape.

Ciarán Cunningham opened Sounding Out 2024 by talking about the amazing line up of speakers and the equally impressive subject matters being address: tackling key questions on how advertising really works, how does attention work when it comes to advertising? And whether attention really matters for brands? How can advertising be more effective?  Can something as powerful as humour and laughter be utilised more? How can advertising and audio in particular stir the passions of consumers to drive business success?

He explained that audio is in a greater position than most to stir consumer passions because of the intimacy of the relationship listeners have with their audio and radio stations in particular. Audio is a warm and friendly place which can make you laugh and make you cry – often at the same time.  It is a place where you are simultaneously in a one-to-one uncluttered relationship and yet part of a much greater, shared experience. The power of a listener on their headphones, their air pods, in their car listening to single uninterrupted and uncluttered message is very powerful. And that emotional connection in audio is something advertisers should take more seriously.

Robert Heath, author of the seminal book, The Hidden Power of Advertising urged advertisers who currently worry only about attention to think again.  Advertising which is witty and entertaining achieves greater cut-through against every measure. And, in contrast to what many advertisers believe, it is that emotional connection, rather than recall, which is the key to purchasing decisions.

Craig Mawdsley, founder, craig and bridget, continued on this theme by explaining that the type of fame that works for advertising is the low attention process of having been exposed to a brand over a long period of time, a kind of fame that is not been noticed, but rather a fame that seeps into someone's life day after day, gradually making an impact. The key objective is to get brands noticed without noticing how you are doing it, without needing attention. Andrew Tindall, System1 presented research that showed conclusively why positive emotions is so important for audio advertising.

The declining use of humour in all advertising was identified by Bridget Angear, founder, craig and bridget, as a noticeable trend – reducing from 53% of campaigns in 2001 to just 34% of campaigns in 2020.  Bridget presented IPA data going back 10 years and showed that business cases that used humour demonstrated greater positive business effects compared to cases that did not use humour. This is an area where radio can be the real exception because of the intimacy of the relationship listeners have with their radio stations. Radiocentre Ireland’s new study with research company Differentology backed up this finding with impressive statistics on the power of adding audio into the planning schedule. Audiovisual ad campaigns were boosted by 22% in terms of listener share of mind once audio/radio was added to the planning mix.

Ralph van Dijk, founder Eardrum, introduced the four C’s required for a clear audio strategy, Codes, Consistency, Consolidation and Creatives. Regarding Codes, he explained that sound is still a missed opportunity for a lot of brands. Strong brand linkage and recall go way up when brands use distinctive sounds. Steve Keller, SiriusXM explained that we live in a world where capturing consumer ears is just as important as capturing their eyes. Adopting practices that harness the profound physiological and emotional impact of sound to influence consumer behaviour, shape brand perception, and build long-term brand equity can have a profound impact on a brand’s profitability in market.

Audio has such high reach, has brilliant signalling power, is so highly affordable, and all return on investment studies always return highly impressive ROIs for audio. The key message behind Sounding Out 2024 from a variety of different perspectives is the growing potential of audio in today’s media landscape.  Audio is the place to be.

You can read a summary of all presentations, download all presentation decks and view the presentations and panel discussion on this website at www.Sounding Out (radiocentreireland.ie)

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